KORNÉL FEKETE-KOVÁCS MEETS BOB BROOKMEYER
NO QUOTING.
NO IMITATION.
THE CONVERSATION CONTINUES.
In the opening concert of MAO meets the masters!, the musical worlds of Kornél Fekete-Kovács and Bob Brookmeyer enter into dialogue.
This evening is more than a tribute. Brookmeyer’s transparent textures, rich harmonies and sophisticated approach to large ensemble writing meet Kornél Fekete-Kovács’s own compositional voice. Influence does not return as imitation: it becomes new music.
ONE LARGE ENSEMBLE.
ONE LIVING DIALOGUE.
INFLUENCE × OWN VOICE
TONIGHT'S PROGRAMME
BOB
BROOKMEYER
Bob Brookmeyer’s career connected several eras of modern jazz. Born in Kansas City, Missouri, he began playing clarinet at the age of eight and switched to trombone at thirteen. He later became one of the few major jazz musicians to make the valve trombone his primary instrument.
During the 1950s he performed extensively with Gerry Mulligan, first in Mulligan’s quartet and sextet and later, from 1960, as chief arranger, composer and featured soloist with the Concert Jazz Band. In 1965 he became a founding member of the Thad Jones/Mel Lewis Jazz Orchestra, where he both arranged and played lead trombone.
In the later stages of his career, composition, arranging and education became increasingly central to his work. He taught in the United States and Europe and developed the ensemble that became his award-winning NewArt Orchestra.
Clear forms, layered orchestral textures, sophisticated modern harmony and space for improvisation all became hallmarks of his musical language. His work had a lasting influence on generations of composers and arrangers writing for large jazz ensembles.
IT IS THE INSTRUMENT.
KORNÉL
FEKETE-KOVÁCS
Kornél Fekete-Kovács is a composer, trumpeter, flugelhorn player and arranger, and a prominent figure on the Hungarian contemporary jazz scene. His work as a composer includes major full-length compositions written for jazz big band.
Since 2005 he has served as artistic director, soloist and composer of the Modern Art Orchestra. From the beginning, his vision has been to make MAO a creative community in which musicians are not only performers, but artists who inspire one another and contribute their own ideas.
His music draws on a deep knowledge of the jazz tradition while remaining open to classical and contemporary music. Improvisation, composition and the colours of the large ensemble meet in a musical language driven by curiosity and exploration.
IT IS A POINT OF DEPARTURE.
7 PIECES.
7 STORIES.
JUST PLAIN MEYER
An early example of Brookmeyer’s large ensemble writing, Just Plain Meyer points towards the musical path on which traditional big band language would increasingly become a distinctive and personal compositional voice. Rhythmic energy and orchestral colour already reveal the character of Brookmeyer’s approach to arranging.
FIRST LOVE SONG
First Love Song reveals the lyrical side of Brookmeyer’s writing. Beneath its seemingly simple musical material lie carefully constructed harmonies and transparent orchestral textures. It is a fine example of how a large ensemble can sound intimate and richly coloured at the same time.
MR. J.G.
The initials in the title refer to Johnny Griffin. Fekete-Kovács had the opportunity to play with the legendary American tenor saxophonist, giving the dedication a personal dimension. The composition also appears on MAO’s Dedications project, where the musical character of Griffin is evoked by saxophonist Tony Lakatos. It is not an imitation, but a personal musical tribute.
A BALLAD
The careers of Gerry Mulligan and Bob Brookmeyer were closely intertwined. Brookmeyer performed in Mulligan’s ensembles throughout the 1950s and later became chief arranger, composer and featured soloist for the Concert Jazz Band. A Ballad therefore brings another voice from the musical environment in which Brookmeyer’s own artistry developed.
DING DONG DING
Playfulness and large-ensemble precision meet in this energetic composition. Ding Dong Ding is a characteristic example of Brookmeyer’s ability to combine humour, rhythmic energy and highly conscious orchestral construction.
UNDER THE WATERFALLS
The story of Under the Waterfalls began in an American garden. Kornél Fekete-Kovács’s friend, sound engineer Jim Merod, built nine small waterfalls in his garden — a place visited over the years by several major figures in jazz.
The story of the composition later came full circle in a remarkable way. In 2015, ninety-year-old Benny Golson performed Fekete-Kovács’s piece dedicated to him in the Grand Hall of the Liszt Academy in Budapest. Golson’s distinctive tenor saxophone sound can also be heard on the recording released as part of MAO’s Dedications project.
SHAKE UP THE BAND
The title itself sets the orchestra in motion. Shake Up The Band is an energetic large-ensemble composition in which strong rhythmic drive, complex harmonies and distinctive melodic writing come together. The piece also appears on MAO’s Dedications album, where several members of the orchestra are given space as soloists.
TWO WORLDS.
ONE WAY OF THINKING.
This is not a tribute concert in the conventional sense. Brookmeyer’s music is not presented as a closed chapter of history, but as a way of thinking to which a contemporary composer can respond in his own voice.
The common ground is the large ensemble itself: a space in which form, colour, texture, harmony and improvisation can constantly be reconsidered.
MODERN ART
ORCHESTRA
A BIG BAND.
Modern Art Orchestra was founded in 2005 by trumpeter and composer Kornél Fekete-Kovács. Working at the intersection of contemporary jazz and classical music, the ensemble has explored new sounds and musical forms from the very beginning.
MAO operates as a creative musical workshop. Its members are not only performers: several are also active composers, arrangers and bandleaders. This creative environment has generated a substantial repertoire written specifically for the orchestra.
Innovation and tradition are equally present in MAO’s programmes. For the orchestra, what is played matters just as much as how it is played. Improvisation gives every performance a strong sense of the here and now, making each concert a unique musical experience.
THE ORCHESTRA
TONIGHT
Reeds
Trumpets
Horn & Trombones
Rhythm Section
Artistic Direction
Team
MAO MEETS
THE MASTERS!
What happens when a composer truly encounters the artists who shaped their musical thinking?
They do not simply quote or imitate them — they question, reflect, and continue the conversation.
MAO meets the masters! is the autumn concert series of the Modern Art Orchestra, bringing these deeply personal and artistic encounters to life. Composers and arrangers closely connected to the orchestra enter into dialogue with internationally acclaimed masters — not merely as a tribute, but as a living, contemporary reflection.
The iconic figures of big band history appear here as sources of inspiration, while today’s composers speak in their own voice. Familiar musical languages meet new ideas, and past and present illuminate one another.
Four evenings. Four creative encounters. Each evening features two performances: 6:30 PM and 9:00 PM.